Wednesday, April 18, 2012

The earth has been reborn and life goes on

Open up your eyes and see the brand new day, 
A clear blue sky and brighty shining sun, 
Open up your ears and hear the breezes say 
Everything that's cold and gray is gone. 


Open up your hands and feel the rain come on down, 
Taste the wind and smell the flowers' sweet perfume. 
Open up your mind and let the light shine in, 
The earth has been reborn and life goes on. 


Canon 60D, ISO 500, 400mm, f/11, 1/500

Canon 60D, ISO 500, 400mm, f/11, 1/640

Canon 60D, ISO 400, 400mm, f/5.6, 1/500

Sunday, April 1, 2012

Springtime in Idaho

Canon 60D, ISO 100, 40mm, f/11, 1/250
Springtime in Idaho brings promises of new beginnings and places millions of photo opportunities in front of us.  They almost make the pollen-laden sinus infections worth it...almost.  


This photo was taken of the tree that hangs over my drive way so I didn't have to go far to get it.  I shot it at f/11 in order to draw the viewer's attention to the central cluster of flowers.




Canon 60D, ISO 100, 35mm, f/11, 1/125

This second photo is of a flower on a Star Magnolia tree in my backyard.  I know it would have been better to shoot it in the evening when the light isn't so harsh but we had plans for a Saturday evening.  Sometimes life gets in the way of our photography.

















iPhone 4, ISO 80, f2.8, 1/125




And now, for something different, I shot the same blooms with my iPhone.  Sometimes it's hard to believe how good the camera is on this thing.  Guess it goes to show you...you don't always need expensive equipment.  Wait, now that I think about it, an iPhone 4 isn't really that cheap!

Sunday, March 25, 2012


Looked out my dining room window the other morning and saw this mallard standing on one foot on my fence.  I wasn't sure why she was standing so funny until I got a closer look through my telephoto lens.  Her left foot was obviously wounded, the web being torn almost all the way up.  She eventually flew off to hobble around somewhere else, leaving me to ponder what got her in this predicament.  Was it lost fishing line?  A dog?  A mink?  Or...was it that whole breeding season thing?

[Canon 60D, 285mm, ISO 2500, f11, 1/400]




Saturday, March 3, 2012

Dunes Depth of Field



Well, I accomplished my assignment while managing to be no help at all to the person stuck in the sand. ;) This red sand is going to kill my computer memory, I can't take enough photos of sand dunes or the designs in the sand. Depth of field is definitely a technique I need to try to use more. :D

Tuesday, February 7, 2012

More DOF

This is the example Craig was referring to I think, where the gun is in focus and the shooter and targets are not...still tells a story, but the DOF directs what the viewer is looking at. Pretty cool, huh. This is a good example of a portrait with a blurred background. Makes you pay more attention to the actual subject. We might not have been able to see the casing being ejected from the chamber if the whole image was in focus.

Good grief. More DOF. The angle it is shot from, plus the DOF makes this trapshoot pic more interesting.



Again, DOF lets you choose what you want to be the focal point or the subject of your image.

I only put these last 3 in for Craig...our gun lover from way back.
This last one shows how blurring the background makes for a cleaner portrait.

All of these images were shot with my 70-200mm 2.8 but am not sure of the focal length on them. I am pretty sure I shot wide open at f 2.8.

Monday, February 6, 2012

Depth of Field

Ok. I'm going to grab the bull by the horns and give us a new assignment.
It is my favorite aspect of photography besides light.
I think being able to control your depth of field separates the men from the boys, the women from the girls, the artist from a point and shooter.
Depth of field is created with the aperture on your lens. If you are lucky to own a lens that is a 1.4 or even up to a 2.8, it is pretty easy to create an image with a shallow depth of field.
Our aperture setting does 2 things. 1) It lets in more light (1.4 creates a larger hole in the aperture like the size of a quarter and lets in more light, opposed to, say f22 which creates a much smaller hole like the size of a pencil tip and lets in less light) and 2) creates DOF. The larger the aperture (f1.4), the narrower the area of focus the lens creates...it can be less than an inch; and the smaller the aperture (f22), the broader the area of focus, such as from the tree branch right in front of you to the mountains and infinity.
Being able to control your depth of field is how you are able to create images that "grab" the viewer. It is the photographers tool for directing the viewer to what you want them to see.
Once you get the hang if it, you never want to shoot without knowing what your fstop setting is. Initially I thought it was a phase I was going thru, but I have found it to be a way of life!


You can see here I tried a couple different things...Caitlin with her husband and baby... I took the second image first, and I liked that Charlotte was looking at her mom...but I didn't really care for Caitlin being out of focus in the front...so I moved them closer together to get a more "intimate" image, and by having the focus on Caitlin instead of her husband, the image tells a stronger story. Notice that they are about 6 feet apart, and I was able to select who I wanted in focus. Had I closed down the fstop( to a higher number), I could have had all 3 of them in focus.



Here you can see I was trying to decide which way I liked the image better. Is the photo about the medal? or about the girl? By changing the area of focus with a narrow DOF, I get to pick which I want to empasize. The area of focus is very narrow...you can follow her hand up to her wrist and see it begin to blur pretty quickly. This was taken with the 105mm  f1.4 @60
I shot these like this to be able to use the images as a background on an album page. Not something you would use to hang on a wall, but effective to tell a story in an album with other images off to the side.



The other variable is where you stand when you are taking the photo. The setting on the camera and lens was the same in both these photos. 105mm f1.4 @60.
BUT
Where I stood when I shot the image makes the difference. The closer I am to the subject, the narrower the DOF.
In the image on the left, I was as close as I could get without laying on top of her. Notice the lashes are in focus, but the eyebrows aren't. In the image on the right, her lashes and the blanket, her hair and her mouth are in focus. Because I increased my distance from the subject, the DOF increased.



Here I used DOF to tell the story of the girl and her art...her eyes are in focus...the brushes help tell her story, but have the potential for being distracting if they were all in focus...so DOF blurred them some, and then the brushes lead you to her, instead of wrestling for attention.

So
The challenge here is to take photos of anything you want. Subject is up to you. But shoot it with different apetures and see what you come up with. And feel free to post more than once. I think we could all learn from this exercise.
Mostly
Have FUN with it!  









Saturday, January 21, 2012

Midnight Cravings

I am back! Sorry for the hiatus, and I promise never to go that long without posting ever again. So the assignment was food and I love food. I knew exactly how I wanted to capture it too. I wanted to capture those cravings I often get in the middle of the night. I dare say some of my life's favorite moments are the ones in the quite of my kitchen with a cup of tea and a banana at 2:00 AM.